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“Hey, Fred!” 08/17/15-08/23/15 A Biased and Idiosyncratic Top Five

Visual Art

August 21: NSATSAT&A. MINT, 42 W Jenkins St. 

MINT’s one of the new loci for the experimental art and music community in Columbus. This new group exhibition, subtitled “surveillance + security + sexuality” has me incredibly intrigued. This feels like a show you don’t want to miss in your town.

Karen Azoulay, from Toronto now based in Brooklyn, works in a variety of media whose forms seem to hover around a sensuous, ecstatic, apocalypse. When Glenn Ligon wrote about a New York exhibition of hers he said, “Suffused with humor and melancholy her work reveals an interest in mythology, literature and alchemy as well as Las Vegas spectacles, the work of Yayoi Kusuma, opera and Renaissance painting.”

Angela Jann, returned to Columbus after getting an MFA at Pratt, is a painter who deals in a knives-out surrealism leavened with a winking pop art absurdity.

Ann Hirsch, based in Los Angeles, works in video and performance interrogating how technology shapes gender and human relations. What I’ve seen gives me a strong Laurel Nakadate vibe which is high praise, Nakadate’s made my visual art of the year list at least once and barely missed it a few other times. Maybe the artist I’m most interested in checking out.

Kathryn Shinko recently finished her MFA at Kent State and works in textiles which is a medium I’ve been ravenous for since the Wexner Center’s Fiber show finally opened up my half-dead eyes.

Beny Wagner is based in Berlin. His moody, intoxicating, textured work in video and installations has gotten heavy praise from Artforum, Kaleidoscope, and other sources.

Opening 7:00pm-10:00pm. Free.

Music

August 19: Alanna Royale. Rumba Cafe, 2507 Summit St. 

I doubt it’s a surprise to anyone who’s ever sat with me in a bar with a jukebox for 20 minutes, much less read this column for a week or three, that Alanna Royale’s right up my alley. Catchy, sultry, sweaty retro soul with an immediately identifiable voice and songs that hold their own against history.

If you like The Right Now, Robin McKelle, or I’d even wager to say JD McPherson or St. Paul and The Broken Bones, this is a must-see. The kind of Wednesday night that makes however much you hurt on Thursday worth every bit.

Local funk-inspired jam band The Floorwalkers close the night.

Doors at 8:00pm. $10 tickets available at http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=6010225

August 21-23: VIVO Music Festival. Garden Theatre, 1871 N High St.

More than once I’ve lamented that the biggest gap in Columbus’s musical landscape is contemporary classical (new music, whatever term you feel you want to use). We’ve got decent symphony and chamber orchestras but despite two very fine music schools Columbus doesn’t get the same kind of flood of young, excited players doing exciting, new programming out of the classical realm as we do with jazz.

So I’m very excited by the prospect of this first year of the VIVO Music Festival. Organized by violinist Siwoo Kim and violist John Stultz this has the potential to be the exact kind of antidote I (and at least a few others I could name) have been hungry for. Partnering with the Johnstone New Music Fund they’re putting on three shows at the Garden Theatre.

Friday, 8:00pm: 8 Strings, 9 Tails. This program presents Dvorak’s Terzetto, Mendelssohn’s Octet for Strings and John Zorn’s Cat O’ Nine Tails (Tex Avery Directs the Marquis De Sade), the latter of which was a massively formative experience for me. I remember the day I bought Zorn’s String Quartets at Shake It Records and put it on my friend’s stereo in college. I was hooked, my friends.

Saturday, 8:00pm: In the DarkPerformed in the Garden’s smaller Green Room space, this program features Georg Friedrich Haas’s String Quartet #3, “In iij, Noct,” played in complete darkness.

Sunday, 4:00pm: Unstrung. This program experiments with a conductorless chamber orchestra of some of the most promising classical musicians in town. The repertoire includes Bach’s Third Brandenberg Concerto and one of my favorites, Astor Piazolla’s  Four Seasons of Buenos Aires.

A terrific interview with the artistic directors is available at WOSU and $15 reserved tickets for Friday and Sunday (Saturday is free) as well as more info are available at http://www.vivofestival.org/

August 22: Dave Holland Tribute. Dick’s Den, 2417 N High St.

A quartet of our finest younger jazz players including maybe our hottest rhythm section – Max Button (drums), John Allen (bass), Zakk Jones (guitar), and Danny Bauer (piano) team up to take on the oeuvre of maybe the finest straight-ahead jazz composer since the ’70s, bassist/bandleader Dave Holland.

Holland’s one of the few artists of any stripe I think I can literally say I’ve never heard a bad record by. He writes ballads that will make your wine taste sweeter and you fall in love more with the world, uptempo ragers that will make you bounce off the wall or ruin your pants, and abstractions you can get lost in for days. And this is a perfect group to play those perfect songs. Watch summer start its fade over a nice glass of rye whiskey while the music takes you somewhere else and also plants you back in yourself.

Starts at 10:00pm. $4 cover.

August 23: Publicist UK with Young Widows. Spacebar, 2590 N High St. 

Publicist UK hit my radar when I saw they had guitarist David Obuchowski from Goes Cube who I loved. Fronted by Zachary Lipez of Freshkills with a rhythm section held down by David Witte (Municipal Waste) on drums they merge a young Nick Cave delivery to pummeling almost metal drums and bass for charcoal drawings of a scorched Earth I find intoxicating.

Rounding out the bill are Louisville’s Young Widows who plow the fields of a clench-jawed shadowy ecstasy that reminds me most of Swans. If you dread Mondays anyway, come to this show and let your darkness come out of your pores and join the vibes in the room. Locals Hadak Ura, with whom I’m not yet familiar, open.

Doors at 8:00pm. $12 cover.

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